Kelsye

crafting_challege

Do I Really Have to Move Today? Crafting Challenge in a World of Comfort

crafting_challegeI am a runner, so are so many other writers. Perhaps we run for clarity, or concentrated problem solving, or even for the lovely void of thought that may open and swallow us whole after a certain timespan of feet pounding on pavement. I run because when I do, suddenly I have arms, I have lungs that fill and burn and push and pull. I have legs and they are strong!

Not training properly for my recent half-marathon might have been a sub-conscious strategy. What would happen if I faced a challenge that wasn’t easy? What would happen when I hit a wall, or when I felt real pain?

Comfort infuses my life. I wake at reasonable hour, push button for instant caffeine, slip on whatever for the five-minute drive to drop kiddo off at school. Entrenched in my cushy chair in my home office, gazing out a window at golden morning light, probably not even wearing pants, I push the button to power up my screens. Snacks on my right, coffee on my left, big dog plopped over my bare toes. Hours pass.

How easy it is to forget you dwell in a body when you make a living using solely your brain, with occasional interfacing with the physical world through minimal hand movements.

My husband and I each bought those Fitbit bands to track and encourage daily movement. A minimum of 10,000 steps sets the bar. No sweat. A couple walks around the neighborhood gets that done licitly-split. If I make it out for an actual run, I’ll soar past the goal.

Imagine my horror when I discovered that some days I didn’t even come close to the goal of 10,000. After a day of click-clacking away, a casual check of my steps revealed that I barely broke 2,000. In fifteen waking hours, I’d only walked the equivalent of four laps around a high school track. No wonder my flesh seems to be filling and softening. No wonder fatigue comes over me so easily.

Regular runs help, but still fall short of some primal need. Yes, better fitness habits and routine improve not only my body, but also my mental health and over-all productivity. The tightened muscled in my thighs and calves provide much pleasure and pride. But soon those neighborhood jaunts feel ho-hum. It’s difficult to reach the void, to push hard enough that those little anxieties and concerns quiet down so that breathing may receive the full attention it deserves.

“I also know how important it is in life not necessarily to be strong, but to feel strong, to measure yourself at least once, to find yourself at least once in the most ancient of human conditions, facing the blind, deaf stone alone with nothing to help you but your hands and your own head.”

From Into the Wild

So I sign up for a half-marathon, even though I’ve only been running four miles at a time. The day before the race, some strange compulsion overcomes me. My plans for eating lean proteins and fibers falls flat. My husband brings home a box of day-old donuts for the kids. Cutting out 1-inch “tastes” at a time, I somehow manage to eat two entire maple bars, a jelly donut and a bear claw. In the evening, I drink two glasses of red wine. I do remember to hydrate, sucking down water whenever I think of it. I’m not a complete idiot.

Morning of the race I realize my horrible food choices have completely backed up my system. Oh well, I’ll just have to carry it with me.

I squeeze into hard-working compression pants, wrestle a sports bra over my torso and make the drive into the countryside for the race start.

Can I do this? I think I can do this.

Alone in the tightly-wound pre-race crowd, my nervous thoughts ping-pong around the corners of my brain. There is no guarantee. It will be entirely embarrassing if the aid team has to carry me off the course.

The race begins. I force myself to plod, to not let insecurity or intimidation spur my pace to match those of the runners gaily lopping by me.

This is easy, so easy. But I’ve only gone two miles. Eleven more to go.

At the five-mile marker, I’m certain a mistake has been made. Surely this is about halfway, more like seven, right? My GPS confirms 5 miles, but my legs beg to differ.

At eight miles, after I’ve passed the much anticipated turn-around point, my earlier insistence on plodding pays off. The crowd around me thins and slows. No one passes me anymore. I pass runners one by one.

At 12 miles, my legs feel like spaghetti noodles, but still keep cycling. I pass everyone – fit or flabby, male or female, young or old, gliding along on endorphins and relief. You made it this far, just don’t think about what you’re doing or how you feel and soon you’ll be at the finish.

There it is! The clapping crowd, the giant arch, the man with the megaphone. I kick hard, knock off a couple more runners before crossing the line, just because I can.

Walking somehow seems more difficult than jogging. Standing is worse. I can’t even think about sitting down. Another runner hands me a big red cup of water.

“Good run,” he says.

“Yeah,” I say. “You too.”

But really we’re saying, I just did that! You did that too! Wow! Life is amazing! Wow! Everything is awesome! I am awesome! Wow!

After I’ve stuffed myself on halved bananas and sample protein bars, I limp back to my car to head home. When I get out of my seat after the hour drive, my legs barely bend. I hobble like the tin man up my front steps.

My husband and kids nod at me, say good job. I don’t think they understand the depth of what I’ve just accomplished. The endorphin high I shared with the other finishers clearly does not transmit through proximity. I feel as though returning from war. There was this thing and I didn’t know if I could do it. I tried and it was really hard and then I did it. Everything is awesome!

I go to bed at 7 o’clock, very well aware of my body and still delightfully incapable of deep thought.

The week comes. I sit again at my comfortable desk. I plan, strategize, implement. I market, compose, organize. I think. I click, click, click.

Thursday morning my skin crawls. I can barely sit still. I can’t focus at all. I go for a run, eight miles. Ahhh, that’s better.

As an encore event, my husband signed us both up for a Tough Mudder the very next weekend, a 12-mile course containing 20 terrifying obstacles. I haven’t trained properly. My legs are strong now, but I have no idea if my arms can lift anything heavier than a venti green tea. Can I do this? I don’t know. I think I can do this.


 

Notes: This post was inspired by this brilliant piece by Matthew Inman (The Oatmeal). The half-marathon was the Beat the Blerch. Very fun. Do it with me next year! The 12-mile obstacle course was Tough Mudder. We finished moderately intact. Three days later, I'm still blowing mud out of my nose.

Authors: Learn How to Add a Soundtrack to Your Book with Booktrack

Event-square_booktrackHow cool would it be if your readers could listen to thoughtfully crafted soundtrack perfectly aligned to your book as they read? Booktrack makes this possible!

Join me in a free webinar on October 9th to learn how you - and your readers - can create soundtracks for your favorite books with Booktrack. RSVP here.

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Two Contemporary Authors Helping Me Fall Back in Love with Science Fiction

in_love_with_science_fictionFunny how the science fiction writers of my youth are now classified as literary. I'm talking Kurt Vonnegut, Ursula K. LeGuin, Margaret Atwood and Madeline L'Engle. I love science fiction, particularly when authors choose to use creative strokes to illustrate a lesson in society or human behavior. I do believe that Kurt's Harrison Bergeron is the best short story ever written. When Ursula showed up in town to read from her new poetry (!) book, I brought my daughter along in the hopes that some of Ursula's powerful thinking would magically rub off on us. I named by first car "Ananda" based on a note that Madeline L'Engle scrawled in my copy of A Wind in the Door at a reading.

There came a point, however, when the genre exploded in a great and terrible way. Writers pumped out books faster than boobie-ful space explorer covers could be painted. Plot lines featured more violence and war than thoughtful exploration of society through artful prose. I thought to myself, these books are not for me. I lost interest in the genre and no longer visited that section of the bookstore.

Ursula_Le_Guin

That's me and kiddo hanging out with Ursula at Elliot Bay Books in Seattle.

How grateful I am that Hugh Howey came along. I first heard about Hugh through self-publishing world. He wrote and published his own books and they were wildly successful. This garnered some attention. I knew more about Hugh and his publishing process than I did about his actual books. One Friday evening, I decided I better read one and see what all the fuss was about. I downloaded Wool, the first book in his Silo Series and and stayed up until I finished it. I immediately bought the next, then the next. I spent my entire weekend sitting on the couch reading his books. These were days well-spent.

Reading Hugh's books taught me that there are still authors with interesting things to say publishing in the scifi genre. When Kindle released it's "unlimited" program, I decided to browse the best sellers in the dystopian section to see if there was something that caught my attention. I discovered Marcus Sakey's Brilliance series. The same thing happened. I read the first one in one sitting, read the next one the following day. How horrified I was to learn that the next book in the series won't be available for months. For the first time in a long time, I am anxiously awaiting the publication of a science fiction novel.

Aliens Killing Humans AGAIN? Memes in Science Fiction Writing

aliensThis is a guest post by award-winning author Terry Persun, who happens to be teaching a science fiction writing workshop next month.

I know that Stephen Hawking has been quoted saying he thinks that if aliens exist that mankind should avoid contact with them. He claims that aliens are most likely to treat us similar to how the Europeans treated the Native Americans. That they’d look to conquer or colonize our planet.

And, of course, most movies and television shows indicate that aliens are strong and healthy, they have poisonous claws or teeth, and we look like food to them. A lot of scientists think that aliens would show up to mine Earth of its minerals and that maybe we’d become their slaves in doing so. (Why they wouldn’t just use their superior intellect to create a machine for that purpose is beyond me.)

So, yeah, I’m a science fiction author (part of the time), but even if I have criminals in my fiction, it doesn’t mean that I think every human on Earth is a criminal. So, just because some of my aliens are bad…come to think of it, many of the aliens I write about haven’t tried to take over the Earth at all. In fact, some are just trying to protect themselves against us, and some are (hold it, I don’t want to give this away)… My novel, BACKYARD ALIENS just came out and it doesn’t have that type of alien in it—pretty much, anyway.

I like to think that perhaps the aliens who find us (if they do) are the Greenpeace type of aliens. They’re out to protect us, not exploit or eat us. They are out to learn from us. Perhaps even share what they’ve learned, have philosophical dialogs, explore ideas on the meaning of life in the universe. Why not? If I were to answer that question, there would be more than one answer, as you probably know by now.

If I were to write about aliens again, perhaps I’d explore the ones out to do us harm in some way, whether they think so or not. Perhaps the aliens would come here to help us and in trying would kill us anyway. Perhaps the aliens might want to work with us, learn from us, and we wouldn’t have any of it. Our fear and mistrust would have us fighting back even though we wouldn’t have to. (Anyone out there read Arthur C. Clarke’s CHILDHOOD’S END?)

The truth is, as a writer, I like to explore ideas that might be different than the norm, but they still have to be interesting ideas, and the stories have to have some action, and be fun to read. So, if I were a lazy writer, I might have only the monster-type aliens, the bad ones. But, let’s think outside the box. Let’s explore all the options. Writing isn’t only entertainment, it’s intelligent entertainment (much of the time), and can help us to see the world differently—even a world with alien invasions.

 


Would you like to write a science fiction novel?

Join us for a memoir workshop this October taught by award winning author Terry Persun, Develop and Write Your Science Fiction Novel. You can get $25 off the lowest registration rate when you use the code get25.

Take this webinar if you’re ready to tackle that science fiction novel you’ve been thinking about, or if you’ve already written it and want to understand the genre better for your rewrite. More details here.


Terry Persun holds a Bachelor’s of Science as well as an MA in Creative Writing. He has worked as an engineer, has been the Editor-in-Chief of several technology journals, and is now marketing consultant for technical and manufacturing companies. Over a dozen of his novels have been published. His science fiction novel “Cathedral of Dreams” won a ForeWord Reviews Book of the Year Finalist Award, and his historical novel, “Sweet Song” won a Silver IPPY Award. His latest science fiction space opera, “Hear No Evil” was a finalist in the International Book Awards this past year. His sci-fi and fantasy novels have been on the top 100 (sci-fi categories) on Amazon several times in the past year.

lessons_about_memoir_writing

Six Lessons about Memoir Writing

lessons_about_memoir_writingThis is a guest post by bestselling memoirist and friend Abigail Carter.

Abigail attended a writing workshop in Sonoma hosted by Theo Nestor, author of Writing Is My DrinkWhat follows are the lessons she learned about memoir writing at this retreat.

1. Ask the questions

One of the things I was reminded about in the workshop, and the reason I was there in the first place, was to formulate the basis for the book. It really comes down to a couple of pointed questions. The tip that Theo provided was to “adopt the attitude that your life is important and ask the question, “If you were really important, what would you be writing about?” What is the most essential thing you need to share through your story?

When I think about what I should be writing about in relation to the house, I think about what it is the house means to me, which I can more or less summarize in one word:

Sanctuary.

I get lost in another time reading Betty’s books and visiting her house (weirdly, I still think of it as her house and not mine) provides me with a similar escape. The moment I enter the house, it’s as if I have opened the door of the wardrobe in The Lion, the Witch and the Wardrobe, into a whole different world. I can physically feel myself relax. I get excited about cooking, and writing (with pen and paper), about curling up on the couch to read a real book.

In my regular life, I spend hours behind my computer only to stand up after hours of addictive-like behavior feeling dazed and foggy, and my only reprieve comes in the form of a small dog who incessantly leaves her toy at my feet for me to throw.

I refuse to hook up Internet access at the house because I know the moment I do, its magic will be lost. I need Vashon to remain my escape from a plugged-in world into a time where life was simpler, or at least lived in real time.

2. Dance into your writing

Tanya Taylor Rubinstein was one of the day’s speakers and she speaks from the perspective of a solo performance artist. My favorite moment of her talk was when she began to wiggle around the stage, doing what a writer might call a “five minute write” but in oral story form as she waved her hands around and did a little twirl and a wiggle. “It’s a whole different way of coming at the story, and if you’re stuck it might help you.” She then had us find a partner, look them directly in the eyes and tell that partner a story about a moment that changed our life. To stay in the moment, I told my partner the moment I found the Vashon house and she shared with me a powerful story of the moment she discovered she had breast cancer. By the end of five minutes I knew I had made a new friend.

3. Be “Passionately Confused”

I also liked Theo’s idea that you must be “passionately confused” about your topic. Here the question is “what is the obsession that is imbedded in your story?” What are you curious about? It is this questioning that will make your memoir compelling because as you discover answers, your reader will as well. This is the crux of memoir, the transformation of the narrator. The narrator at the beginning of the story cannot be the same as the narrator at the end and you must be clear about what that shift is. Candace Walsh, another of the speakers backed this idea up when she advised to “live the questions now. Live your way into the answers.”

As Theo spoke and the other speakers, Candace Walsh and Tanya Taylor Rubinstein continued their workshops, I began jotting down ideas about what the themes in the book might be: slowing down, motherhood, spirituality, my relationship to money, healing, food, feeling overwhelmed by life, marriage, sex.

4. Let your subtitle frame your subject matter

Another of Theo’s points was that the subtitle of a book often frames the overall idea embedded within the book, kind of like a thesis statement in an essay. It sums up the essence of what a memoir is really about. Examples of this include: “Orange is the New Black: My Year in a Women’s Prison” and “Poser: My Life in 23 Poses.” I’ll be living my way into writing the subtitle too, it seems.

5. Fame/writing memoir won’t change you

The excitement of the day was a talk by Anne Lamott, who shared her own brand of wisdom. I have long admired her work – poignant, humorous, thoughtful, and slightly sarcastic, and maybe it was because she was recovering from the flu, or something else is going on with her, but I found her words to be threaded with sadness. She told us to not expect the writing to change us, or perhaps it was to not expect fame to change us, it wasn’t quite clear. I do believe that the process of writing memoir does change you. If you follow Theo’s wisdom on the matter, writing memoir is all about the transformation.

So perhaps it was the fame thing. I have never cared about fame, and if anything I shun it. What I seek is the change in a reader who has read my work. A transformation, a comfort, a healing. It struck me as I sat in that huge hotel ballroom how many stories were represented there – hundreds of big, tragic stories that each sought an outlet. To be a memoirist of Ann Lamott’s fame must take a certain amount of strength of spirit, a sense of responsibility to those stories. What came across to me was how fragile Anne Lamott is, and how fame must be debilitating to her in a lot of ways.

6. Carry a pen and paper at all times

I did like her advice to always carry a pen and paper wherever you go and was charmed by the idea that she writes on her hand and then “transcribes her hand” when she gets home. I am horrible with writing little things down, maybe too busy living in the moment, to remember to stop it and jot it down on a piece of paper and so I felt somewhat lacking without my Moleskin and Montblanc.  Still, I so admire her turns of phrases, her metaphors and no doubt, her jotting is where they come from. Time to get a notebook and a pen!

And so, I came away from Petaluma percolating with new ideas and resolutions to jot, which was my goal for the weekend. I also made some lovely new friends who I look forward getting to know, at least inside this screen, my little virtual 2014 world.

 

authority

Manufacturing Authority for Fun and Profit: Three Moments of Misplaced Belief

authorityMy daughter’s recent and traumatic first day of seventh grade has me again pondering how we accept authority. My perspectives on this topic have been shaped by three distinct epiphanies.

Moment of epiphany number one.

When I was in college, I took a course called Citizen Artist that taught me how memes, information and presentation impact society. We completed an exercise on manufactured authority that I still think back on frequently.

The assignment was to create a history museum display of a false event or character. We were to present invented stories as complete fact, using such mediums as design, language and false evidence to convince viewers. I made up a character I named Teirny Flaxwell that was killed during the Ludlow Massacre of 1914. I created a plaque of commemoration by Mother Jones. I built a slick display that even featured crushed pottery from her trampled camp (purchased on sale at Value Village). I found images online of a sullen girl, ran a Photoshop filter to age the portrait and printed it out big.

My display measured five feet tall and three feet wide. It looked worthy of any history museum. Thank God for Photoshop skills and museum board. When the class came around to critique my project, I felt damn smug. How shocked I was when one of my peers snarked, “Yeah, but it’s not fair that we use her display as a comparison. She found such a good historical figure to use.”

Murmurs of disgruntled agreement rolled through the group.

This shocked the daylights out of me. We all had the same assignment. They all knew I was inventing facts. Yet, even with this insider knowledge, my well-educated, authority-suspicious peers were easily swayed into belief by my professional application of graphic design, assumed authority and found images.

“Teirny Flaxwell is not real! I made her up!”

Cutting looks told me they were certain I’d cheated.

Moment of epiphany number two.

I walked off the stage at the San Francisco amphitheater trembling and relieved. Having just pitched my startup to a panel of silicon valley VC’s in front of an audience of about 600 and not forgotten my speech or bombed out, again I felt that lovely smug warmth. Awesome! I can’t believe I just did that. I would have done an end zone dance if not still in view of the crowd.

I stepped out in the hall to check my twitter app on my phone and see the audience’s reaction to my talk. One tweet stopped me cold. They tweeted a picture of me gesturing grandly at my market size slide, captioned with the words “PUBLIC EDUCATION FAIL”. I squinted at the slide. What?! What was wrong?

The math. The math was horribly wrong. In giant numbers, projected about ten feet tall on the stage screen, my slide displayed that 750 thousand self-published books times 2,500 spent in services equals 18 billion a year.

Actually do the problem in your head. The answer is not 18 billion. It’s 1.8 billion.

Shame and embarrassment washed over me like a bucket of ice water. Holy crap. I can’t believe I didn’t catch that. Neither did my partner. Neither did the ten or so mentors that reviewed our slides. Neither did the empirically critical event director that made me run through my presentation five times for him. Neither did any of the earlier round judges or the hundreds of internet public that first voted our pitch through to finals.

The equation was presented with authority on a slide and all of us simply accepted it as fact, rather than take a single moment to think it through on our own.

Moment of epiphany number three.

My petite daughter took extra precautions her first day of seventh grade in order to not be mistaken for a lowly sixth grader. She’d recently cut her hair into a stylish bob and colored it purple. She refused a backpack and instead took a messenger bag. She selected a calculated cool outfit of zombie t-shirt and worn jeans. I watched her walk into the school with confidence. She waved at friends, didn’t even bother to turn around and say goodbye to me. Piece of cake.

About an hour later I got a garbled message from her telling me to please come home right now, that she was terribly sorry, she’d take any punishment and it was all a big lie.

I raced home to find her sitting on the floor in the middle of the living room crying while our big dogs nervously circled and sniffed at her head.

I swooped down immediately and held her tight. “What’s wrong! What happened?”

“It’s all a lie!” she moaned. “I can’t face my friends. I am so ashamed?

“What?! What?”

She told me how she went to her first class, homeroom… for sixth graders. At first she thought it might be a mistake. But there was the correct classroom number on her schedule. There was her name carefully handwritten on a name tag on the teacher’s desk. There was the teacher, telling her she shouldn’t be scared and that she was going to love the sixth grade.

She suffered through the class without saying anything. As she exited at the bell, she saw her friends in the hall. The thought of them seeing her with the sixth graders brought on a full blown panic attack. She fled, right out the door of the school and the entire mile back to our house.

I assured her it was surely a mistake. She shook her head, despondent.

I called the school and they told me she had been assigned to the wrong homeroom. She was most definitely a seventh grader and hadn’t been secretly flunked back.

I brought her back in time to catch the last two classes of her schedule. Again, she smiled as she left me, but was still obviously shaken, as though any moment someone would tell her this was the mistake and she didn’t belong there.

If she had simply raised her hand in class and said she was a seventh grader, the whole episode could have been cut off at the start. If after class, she had walked to the office and had them double check, the mistake would have been caught.

Those things didn’t happen. A figure of authority told my daughter she was something less than what she thought and she accepted it point blank.

How terrifying.

What the hell does this all mean?

When you learn how easy it is to manufacture authority, you may easily do so for personal gain and entertainment. Fake it and other people will believe it. Most people. Whether you choose to use this power for good or evil is up to you. Do with it what you will.

Yet even knowing this, are you aware of the authorities and judgments you’ve accepted in your own life that have been manufactured by someone else? Just as you may invent authority, you also have power over which authorities you accept.

Sometimes, the authorities that impact our lives do not have our best interests in heart. They may even actively seek to belittle or diminish us. Think of the judgments you accept, those from your family, your peers, the people who look at your work. It’s not too hard to see personal bias in these moments. Now scale your view up. What judgments do you accept from your society, your government, your God.

These things that we think as fact may, in fact, be someone else’s very good story.

Anne_lamott

Fear, Loathing and Writing a Memoir

Perhaps you love to write. Perhaps you dream about writing a memoir. Before you begin, the fear sets in. What will my mother think? Like two writerly super heroes, Anne Lamott and Dorothy Allison swoop in to set you right.

Anne_lamott

 

dorothy_allison

 

You gather courage, pull up your writing britches and sit at your desk. Memories scroll through your mind like flickering images on a screen. You think, this is ridiculous. Who cares about my story? I am neither famous or mighty. What makes me think my story is worth telling?

In a great cacophony of noise all around you shout Maya Angelou, Annie Dillard, Thomas Cirignano and Saul Bellows.

 

Maya_angelou

Annie_dillard

Saul_bellows

Thomas_Cirignano

 

You can no longer resist. At last you think yes, I will do this. You stare down at the blank page, take a deep breath, wonder where the courage will come from. Here is Stephen King, at your side.

stephen_king

And so you pick up your pen and begin. The gods of writing cheer.

 


start_writing_your_memoir_tinyAre you ready to start writing your memoir?

Bestselling memoirist Abigail Carter leads a workshop next month call "Start Writing Your Memoir." This is your sign.

 

 

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